Saturday, January 13, 2007

Notes on Notes

If I were a real reviewer, I’d have to give this film about English public school teachers at least a B+. It is well-filmed, even if the story is a bit pedestrian. It’s also superbly acted (but then again, with Dame Judi Dench and Cate Blanchett, that’s not really a surprise, is it?)

Essentially, Notes on a Scandal has a simple plot. Waiflike inheritee Blanchett decides to take a break from her much-older husband, her Downs Syndrome son, and her failed art career to teach art at a shoddy local public school. There she befriends an icy, old, lonely history teacher played by Dench.

And Blanchett also starts screwing a fifteen-year-old-boy.

Dench, the deeply lonely, psychotic old lesbian she is, finds out and then tries to manipulate the situation so that she can possess beautiful Blanchett forever, bwahahahaha.

And to link to the title and to the great climax, Dench also writes this all down in her diaries she’s been scribbling in for centuries instead of – oh I don’t know – living!

There are several reasons I don’t like films like these. No one is particularly likeable or admirable. If they’re not honorable, at least they could be clever or smart. I don’t mind flawed characters, but I hate characters that offer me no connection or interest whatsoever. They are unconsciously mean and stupid, and their seductions are – true to most life – embarrassingly clunky and dull.

And to top it off they’re a bit sociopathic. It’s like Freud’s Id times a million. They’re ego-centric to the point that it could seriously be considered a mental illness. Their thought patterns go something like this: “What I want, what I want, me, me, me, it’s all about me and my wants, and what I want and me, me, me, and there is no one else to consider, it’s just me, and my wants and me, and me, and me…”

In Little Children, at least these selfish people were witty, and their story was told with some humor, complexity, and panache. Notes on a Scandal I would see once, concede that it is brilliantly acted, and then hopefully forget all about it and never ever see it again.

2 Comments:

Anonymous Anonymous said...

my husband and I saw this today and were disappointed. I agree with alot of the things you said, but the MOST annoying thing about the film was Phillip Glass's score! I could deal when there were single instruments playing, but when there were big swells, I just wanted to yell 'Stop!!!!! Learn to write something other than slow trills!!!'. My husband even started conducting in one such part!

There seemed to be alot of the good and evil part of the plot that was left on the cutting room floor. Sad, really! I felt like Cate's movie family waiting in the car when Lady Dench came to tell her about her dying cat! (basically WTF?!?!)

Children of Men was much better!!!! Even 'Single White Female' was more evil....

1:10 PM  
Blogger Schmacko said...

I totally agree. Becasue I am such a culture snob and I tend to love modern over classical, I should worship Phillip Glass. I fucking hate him! His score for The Hours could have ruined the movie for me, and it did suck in the scenes he ruined in The Illusionist.

The only modern composer I hate more is Steve Martland. I think I'll do a thread on sucky music!

6:32 PM  

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