My Favorite 80s Albums
Just for fun!
10. U2 - War – They're Irish, they're loud, and they sing political pop songs tinged with Catholic guilt. What's not to love? Well, what wasn't to love back before Bono went off and... Well, how do I put this? Some people think they're God's gift to the world; others think they're God herself. Bono would fall with a resounding thud into that last category. But this 1983 album - with "Sunday Bloody Sunday" and "New Year's Day" still has their bombast tinged with youthful abandon, Irish recklessness, and a longing to be like The Clash. Which makes for a beautiful album.
9. Arcadia – So Red The Rose – For those of us who thought Duran Duran wasn’t pretentious enough (and there are a few of us), the spin-off band Arcadia and it’s rich, artsy work certainly showed us how maniacally far the Wild Boys could go! These songs slather on the synthesizer in thick, rich overblown layers! And the costumes!?!? (What else could you call them???) With the cross-pollination Goth and the modern Spanish army both in song and in clothes....ahhh....gorgeous! God will never forgive grunge for killing such opulent beauty! I love that somewhere I read that "Election Day" was a rail against modern politics. Shyeah, right! Like Simon Le Bon's lyrics ever make any sense at all! And there's goose-pimply joy in the spooky "Missing" and "Promise" (the latter which boasts guest artists Herbie Hancock and Sting - Gah, could anything be any more gaudily overdone!?!?!) [Interesting side note: At one point, this album was the most expensive ever produced; a year later, pedophile Michael Jackson's Bad surpassed it. Adjusted for inflation, no album has ever surpassed these two.]
8. Cyndi Lauper – She’s So Unusual – I think one of the first signs of my weirdness was how many kinky wet dreams I had that starred Cyndi Lauper. Christ! Was there a more joyous, more cheese-riddled 1980s album than this 1984 release? "Girls Just Wanna Have Fun," "Time After Time," "All Through The Night," and that paean to onanism, "She Bop," put some color into my post-punk world!
7. Tears for Fears – Songs from the Big Chair – Freud still spins in his grave! Synth-heavy pop songs based on questionable psychology theories and techniques; could anything be more self-important and misguided? Not in the “pop-psych” 1980s! I think I was under the influence of every one of these crackpot ideas in my seven years of therapy (poor family, bad parenting, alcoholism, infidelity, sibling abuse, that ol’ sh!t…dah dah dee, whatever…) This lovely precursor to their classic album Seeds of Love had great tunes like "Shout" and "Head Over Heels." But mostly, it had the yuppie theme song "Everybody Wants to Rule The World." Smack dab in 1985, this song was a milestone for the entire decade.
6. The Housemartins – London 0 Hull 4 – Ah, these poor underrated boys! (This is the first of my "Who the Hell Are They?" people - get prepared.) Yes, they mined the same acoustic vein as The Smiths, but The Housemartins' talent for close vocal harmony and twee political bombast certainly separated them from everyone else out there. Although singer Paul Heaton’s lyrics were less fey than Morrissey’s, his high tenor still invited a few raised eyebrows from my high school football team as these songs blasted from my car stereo. But "Sheep" and "Happy Hour" and especially "Get Up Off Our Knees" are so brilliant, I wore out several copies of this tape while sludging through my teenage years. 1986 was my sophomore year in high school; this was my soundtrack.
5. The Silencers – A Letter from St. Paul – This dark little 1987 gem proved this Scottish band was so much more than a U2 knockoff. Sadly, today they are virtually unknown, but for a few months there, they were the college band to know. Their sound is a bit like U2 meets Depeche Mode, with guitars and synthesizers striking a nice balance. In Iowa, where I am from, my deep-seated Catholic guilt found a few songs to relate to. Although their version of "Swing Low Sweet Chariot" which closes out the album is a shining moment in pop, the song that defines their Eucharis pacifism is the haunting "Bullets and Blue Eyes." It's really hard to fairly describe a dark album that is the 1980s version of a Martin Luther sermon without turning a lot of people off, and that's sad!
4. New Order – Substance – No one can ever really say what a New Order album is really about, can they? The beeps and blips and then Bernard Sumner's cold and strange lyris made up of odd strings of clichés. This 1987 release is my only greatest hits album on this list, but it deserves it. In my opinion, these deadpan, synth-laden pop prizes are the ancestors to all the best-produced dance music of the last 20 years. New Order taught everyone else how to do it. Ah the glory of "Bizarre Love Triangle" and "Blue Monday"! And finally, "Touched By The Hand of God" is considered a classic! But, if there is a New Order song I feel I actually do understand - and deeply - it's their life-changing "True Faith."
3. Crowded House – Temple of Low Men – The title says it all. This is an album about men brought down. Whether by obsessive love, infidelity, dishonesty, depression, or violence, this album explores the downtrodden in a beautiful turn of song-craft only Neil Finn (of Split Enz fame) could accomplish. The vocal harmonies and their lovely acoustic guitars prodded on by Mitchell Froom's ghostly keyboards and precise production are pure heaven. It seems that just as I was hitting my first real heartbreaks and finding out my own first failings, this album was there as a soundtrack, and in particular – with “Love This Life” – a salvation. This mood-filled, cathartic album came out the year I graduated high school, 1988. [Interesting note - a lot of Crowded House's music, including a few tracks from this album, can be heard throughout the Russell-Crowe-is-gay film The Sum of Us.]
2. The Smiths – The Queen is Dead – I remember first hearing this album and thinking that the lyrics were a barely veiled gay anthem of disaffection of detachment. I was so in the closet in 1986 when this came out, I was even kind of ashamed to admit to owning it. Johnny Marr’s guitars won me over anyway. And then after repeated listens, it seems like I suddenly started to realize that Morrissey wasn’t just singing about his own latent homosexuality and forced celibacy, but the distance that exists in all of us freaks. Who hasn't shot at humor and instead put their foot in their mouth ("Bigmouth Strikes Again")? Who hasn't want to meet a lover "by the cemetery gate" to picnic and revel in the maudlin? Who hasn't wanted to see their local clergy brought to shame, caught dancing in a frilly tutu? By the final beautiful, flute laden song (“There Is a Light That Never Goes Out"), don’t all of us want someone to drive us away from the banality and coldness of our own families and to fantastic people who are “young and alive”? Yes, Morrissey, we do! And, you're right; it is worth dying for.
1. Duran Duran – Rio – Nothing can be said about it that is more brilliant than the album itself. Ah, the beautiful boys and the birth of New Wave, all in one only-slightly-cheesy package! On a personal note, the polish of Duran Duran’s music and image seemed so far removed from the rednecks and cornfields of my small Iowa town. This album went a long way in helping me shape my own self image apart from the simplistic farmers and the white trash families of my upbringing. I had been listening since the first album, but the success of this album finally proved to others in my junior high I wasn’t entirely wrong. I felt so important owning it before it became huge! Of course, it also made me sorta faggy, but not completely, cuz the girls thought they were cool too. "Hungry Like The Wolf" and the title track and "Hold Back The Rain" and "New Religion" and "The Chauffeur" (with it's lesbo video!). Nothing, however is as stirring as their homage to one-night stands, "Save a Prayer." If you don't have this album, you should go out and buy it right now!!!